Cambridge Encyclopedia :: Cambridge Encyclopedia Vol. 42

Joseph Conrad - Youth, Voyages, Emotional development, Novelist, Style, Novels and novellas, Short stories, Memoirs and Essays

Novelist, born in Berdichev, WC Ukraine. He joined the British merchant navy, and became a British national in 1886. He sailed to many parts of the world, married in 1896, and settled in Ashford, Kent. His first novel was Almayer's Folly (1895). His best-known works are The Nigger of the Narcissus (1897), Lord Jim (1900), Nostromo (1904), The Secret Agent (1907), Under Western Eyes (1911), and Chance (1914). He also wrote many short stories; and the short novel Heart of Darkness (1902) anticipates many 20th-c themes and effects. His fiction has been a favourite subject for film and television adaptation.

Some of his works have been labelled romantic, although Conrad's romanticism is tempered with irony and a fine sense of man's capacity for self-deception.

Many critics regard Conrad as a forerunner of modernism.

Conrad's narrativistic style and existential, anti-heroic characters have influenced many writers, including Ernest Hemingway, DH Lawrence, Graham Greene, Joseph Heller and Jerzy Kosiński, as well as inspiring such films as Apocalypse Now (which was based on Conrad's Heart of Darkness).

Youth

Conrad was born Teodor Józef Konrad Korzeniowski (help·info) in Berdyczów (now Berdychiv, Ukraine), into a highly-patriotic landowning Polish family bearing the Nałęcz coat-of-arms. Conrad's father was a writer best known for patriotic tragedies, and a translator of Shakespeare and Victor Hugo from English and French. Conrad's mother died there of tuberculosis in 1865, and his father died four years later in Kraków, leaving Conrad orphaned at the age of eleven.

Young Conrad was placed in the care of his maternal uncle, Tadeusz Bobrowski, in Kraków—a more cautious figure than his parents. Bobrowski nevertheless allowed Conrad to travel to Marseille and begin a career as a seaman at the age of 16. This came after Conrad was rejected for Austro-Hungarian citizenship, leaving him liable for 25-year conscription into the Russian Army.

Voyages

Conrad lived an adventurous life, becoming involved in gunrunning and political conspiracy, which he later fictionalized in his novel The Arrow of Gold, and apparently had a disastrous love affair, which plunged him into despair.

In 1878, after a failed suicide attempt, Conrad took service on his first British ship bound for Constantinople, before its return to Lowestoft, his first landing in Britain. He did not become fluent in English until the age of 21, and in 1886 gained both his Master Mariner's certificate and British citizenship, officially changing his name to "Joseph Conrad."

Conrad was to serve a total of sixteen years in the British merchant marine, with passages to the Far East, where his ship caught fire off Sumatra and he spent more than twelve hours hours in a lifeboat.

A childhood ambition to visit central Africa was realised in 1889, when Conrad contrived to reach the Congo Free State.

The description of Conrad's protagonist Marlow's journey upriver closely follows Conrad's own, and he appears to have experienced a disturbing insight into the nature of evil. Conrad's experience of loneliness at sea, of corruption and of the pitilessness of nature converged to form a coherent, if bleak, vision of the world. Conrad's own sense of loneliness throughout his exile's life would find memorable expression in the 1901 short story, "Amy Foster."

Notwithstanding the undoubted sufferings that Conrad endured on many of his voyages, he contrived to put up at the best lodgings at many of his destinations.

Conrad is also reported to have stayed at Hong Kong's Peninsula Hotel. No Caribbean resort is yet known to have claimed Conrad's patronage, although he is believed to have stayed at a Fort-de-France pension upon arrival in Martinique on his first voyage, in 1875, when he travelled as a passenger on the Mont Blanc.

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Emotional development

A further insight into Conrad's emotional life is provided by an episode which inspired one of his strangest and least known stories, "A Smile of Fortune." While it is evident that Conrad too fell in love while in Mauritius, it was not with Alice. Conrad left broken-hearted, vowing never to return.

Novelist

In 1894, aged 36, Conrad left the sea to become an English-language author. With its successor, An Outcast of the Islands, it laid the foundations of a reputation as a romantic teller of exotic tales, a misunderstanding of his purpose that was to frustrate Conrad for the rest of his career. Conrad's health remained poor for the remainder of his life, although he continued to work relentlessly. In 1923, the year before his death, Conrad, who possessed a hereditary Polish coat-of-arms, declined the offer of a British knighthood (which is not hereditary).

Joseph Conrad died 3 August 1924, of a heart attack, and was interred at Canterbury Cemetery, Canterbury, England, under the name of Korzeniowski. Arguably the most influential work remains Heart of Darkness, to which many have been introduced by Francis Ford Coppola's film, Apocalypse Now, inspired by Conrad's novella and set during the Vietnam War.

Style

Conrad, an emotional man subject to fits of depression, self-doubt and pessimism, disciplined his romantic temperament with an unsparing moral judgment.

As an artist, he famously aspired, in his preface to The Nigger of the Narcissus (1897), "by the power of the written word to make you hear, to make you feel...

Writing in what to the visual arts was the age of Impressionism, Conrad showed himself in many of his works a prose poet of the highest order: thus, for instance, in the evocative Patna and courtroom scenes of Lord Jim;

The singularity of the universe depicted in Conrad's novels, especially compared to those of near-contemporaries like John Galsworthy, is such as to open him to criticism similar to that later applied to Graham Greene. But where "Greeneland" has been characterised as a recurring and recognisable atmosphere independent of setting, Conrad is at pains to create a sense of place, be it aboard ship or in a remote village.

In the view of Evelyn Waugh and Kingsley Amis, it was not until the first volumes of Anthony Powell's sequence, A Dance to the Music of Time, were published in the 1950s, that an English novelist achieved the same command of atmosphere and precision of language with consistency, a view supported by present-day critics like A. This is the more remarkable, given that English was Conrad's third language. Powell acknowleged his debt to Conrad.

Conrad's third language remained inescapably under the influence of his first two — Polish and French. Lawrence, one of many men of letters whom Conrad befriended, offered some perceptive observations about Conrad's writing:

He's absolutely the most haunting thing in prose that ever was: I wish I knew how every paragraph he writes (...

In Conrad's time, literary critics, while usually commenting favorably on his works, often remarked that his exotic style, complex narration, profound themes and pessimistic ideas put many readers off. Yet as Conrad's ideas were borne out by 20th-century events, in due course he came to be admired for beliefs that seemed to accord with subsequent times more closely than with his own.

Conrad's was, indeed, a starkly lucid view of the human condition — a vision similar to that which had been offered in two micro-stories by his ten-years-older Polish compatriot, Bolesław Prus (whose work Conrad admired): "Mold of the Earth" (1884) and "Shades" (1885). Conrad wrote:

Faith is a myth and beliefs shift like mists on the shore;

Novels and novellas

1895   Almayer's Folly
1896 An Outcast of the Islands
1897 The Nigger of the 'Narcissus'
1899 Heart of Darkness
1900 Lord Jim
1901 The Inheritors (with Ford Madox Ford)
1902 Typhoon (begun 1899)
1903 Romance (with Ford Madox Ford)
1904 Nostromo
1907 The Secret Agent
1911 Under Western Eyes
1912 Freya of the Seven Isles
1913 Chance
1915 Victory
1917 The Shadow Line
1919 The Arrow of Gold
1920 The Rescue
1923 The Nature of a Crime (with Ford Madox Ford)
The Rover
1925 Suspense (unfinished, published posthumously)

Short stories

"The Idiots" (Conrad's first short story; written during his honeymoon, published in Savo 1896 and collected in Tales of Unrest, 1898). "The Black Mate" (written, according to Conrad, in 1886; "An Outpost of Progress" (written 1896 and named in 1906 by Conrad himself, long after the publication of Lord Jim and Heart of Darkness, as his 'best story'; Conrad, presaging the sentiments of most readers, once remarked, "I hate it"). collected in Youth, a Narrative and Two Other Stories, 1902) "Falk" (novella/story, written in early 1901; This story was the only piece of Conrad's fiction ever adapted by the author for cinema, as Gaspar the Strong Man, 1920). collected in A Set of Six, 1908 UK/1915 US.) "The Informer" (written before January 1906; published in December 1906 in Harper's and collected in A Set of Six, 1908 UK/1915 US.) "The Brute" (written in early 1906; collected in A Set of Six in 1908 and published by Garden City Publishing in 1924. collected in A Set of Six, 1908 UK/1915 US.) "The Secret Sharer" (written December 1909; published in Harper's and collected in Twixt Land and Sea 1912) "Prince Roman" (written 1910, published in 1911 in the Oxford and Cambridge Review; collected in Twixt Land and Sea 1912) "Freya of the Seven Isles" (another near-novella, written late 1910–early 1911; collected in Twixt Land and Sea 1912) "The Partner" (written in 1911; collected in Tales of Hearsay, 1925) "The Tale" (Conrad's only story about World War I; written 1916 and first published 1917 in Strand Magazine)

Memoirs and Essays

The Mirror of the Sea (collection of autobiographical essays first published in various magazines 1904-6 ), 1906 A Personal Record (also published as Some Reminiscences), 1912 Notes on Life and Letters, 1921 Last Essays, 1926

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