Ottonian art - Background

Art of the 10th–11th-c in Germany, named after the Holy Roman Emperors Otto I–III. Carolingian elements are combined with early Christian and Byzantine motifs. The bronze doors of Hildesheim Cathedral (1015), with their expressive biblical scenes, attest to the high standards achieved.

With Ottonian architecture, it is a key component of the Ottonian Renaissance (circa 951 – 1024) named for the emperors Otto I, Otto II, and Otto III. The style persisted past the Ottonian emperors, however, and into the reigns of the early Salians.

Background

After the decline of the Carolignian Empire, the Holy Roman Empire was re-established under the Saxon Ottonian dynasty. It was in this atmosphere that masterpieces were created that fused the traditions from which Ottonian artists derived their inspiration: models of Late Antique, Carolingian, and Byzantine origin.

Much Ottonian art reflected the dynasty's desire to establish visually a link to the Christian rulers of Late Antiquity, such as Constantine, Theoderich, and Justinian as well as to their Carolingian predecessors, particularly Charlemagne. For example, Ottonian ruler portraits typically include elements, such as province personifications, or representatives of the military and the Church flanking the emperor, with a lengthy imperial iconographical history. It is instructive to compare, for instance, the Early Byzantine portrait of Justinian on the Barberini ivory with the portrait of Otto III in the Munich Gospels of Otto III (Bayerische Nationalbibl. Also, the removal of spolia from Late Antique structures in Rome and Ravenna and their incorporation into Ottonian buildings was a popular device intended to remind the viewer of the patron's august imperial lineage.

Ottonian monasteries produced some of the most magnificent medieval illuminated manuscripts. However, the majority of the 51 images in this book, which represent the first extensive cycle of images depicting the events of Christ's life in a western European manuscript, were made by two monks from the island monastery of Reichenau in Lake Constance. Subsequently, the Reichenau scriptorium specialized in Gospel illustration in liturgical books, many of them, such as the Munich Gospels of Otto III (c. Other important monastic scriptoria that flourished during the Ottonian age include those at Corvey, Hildesheim, Regensburg, Echternach, and Cologne. In addition, much very fine small-scale sculpture in metals--usually embellished with gems, enamels, crystals, and cameos--and ivory were made during the Ottonian period.