Avant-garde pianist and composer, born in New York City, USA. He studied at the New York College of Music and the New England Conservatory, Boston. In 1956 he made his first important quartet recordings, which diverged sharply from established approaches to jazz language and harmony.
Taylor is known for being an extremely energetic, physical yet subtle player, producing exceedingly complex improvised sounds, frequently involving tone clusters and intricate polyrhythms.
Taylor played and recorded predominantly with alto saxophonist Jimmy Lyons from 1961 until Lyons' death in 1986, along with drummers Sunny Murray and later Andrew Cyrille. From the early 1970s
onwards, Taylor began to garner critical, if not popular, acclaim, playing for Jimmy Carter on the White House Lawn, lecturing as an in-residence artist at universities, and eventually being
awarded a Guggenheim Fellowship in 1973 and then a MacArthur Genius Award in 1991.
Following Lyons' death, Taylor has played in a variety of settings ranging from solo (e.g. Silent Tongues, Indent, For Olim, Garden, Erzulie Maketh Scent,
The Tree of Life, and In Willisau), the "Feel Trio" formed in the early 1990s with William Parker (bass) and Tony Oxley (drums) (Celebrated Blazons, Looking (The Feel
Trio), and the 10-CD set 2 T's for a Lovely T) as well as larger ensembles and big-band projects. Few recordings from 2000 have yet been published, though Taylor, now in his 70's,
continues to captivate audiences around the world with live concerts, usually played on his favored instrument, the Bösendorfer piano that features 9 extra lower register keys.
In addition to piano, Taylor has always been interested in ballet and dance. Taylor once said: "I try to imitate on the piano the leaps in space a dancer makes".
Taylor is also an accomplished poet, citing Robert Duncan, Charles Olson and Amiri Baraka as a major influence. The CD Chinampas, released by Leo Records in 1987, is a recording of
Taylor reciting several of his poems unaccompanied.
Selected discography
Jazz Advance, 1956
The Cecil Taylor Quartet at Newport, 1957
Looking Ahead!, 1958
Coltrane Time (identical with
Hard Driving Jazz), 1958
Love for
Sale, 1959
The World of Cecil Taylor, 1960
Air, 1961
Jumpin' Punkins, 1961
New York City R&B (with Buell Neidlinger), 1961
Cell Walk for Celeste, 1961
Mixed, 1961
Nefertiti the Beautiful One Has Come, 1962
Unit Structures, 1966
Conquistador!, 1966
Great Paris Concert, vol 1 & Carla Bley's "JCOA: Jazz
Composer's OrchestrA" (featuring Don Cherry, Pharoah Sanders, Larry Coryell and Gato Barbieri.)
The Great Concert (identical with
Nuits de la Fondation Maeght), 1969
Indent,
1973
Akisakila, 1973
Solo, 1973
Spring of Two Blue J's, 1973
Silent Tongues, 1974
Dark to Themselves, 1976
Air Above Mountains (Buildings Within), 1976
Nachricht vom Lande, 1976 Cecil Taylor & Mary Lou Williams:
Embraced, 1977
Cecil Taylor Unit, 1978
3 Phasis, 1978
Live in the Black Forest, 1978
One Two
Many Salty Swift and Not Goodbye, 1978 Tony Williams:
Joy of Flying, 1978 Cecil Taylor and Max Roach:
Historic Concerts, 1979
Fly! Fly!, 1980
Is it the Brewing
Luminous, 1980
Calling it the 8th, 1981
Garden, 1981
Winged Serpent, 1984
Cecil Taylor Segments II/ Orchestra of two Continents, 1984
For Olim, 1986
Olu
Iwa, 1986
Iwnontonwusi - Live at Sweet Basil, 1986
Live in Bologna, 1987
Live in Vienna, 1987
Chinampas, 1987
Tzotzil Mummers Tzotzil, 1987
Erzulie
Maketh Scent, 1988
Pleistozaen mit Wasser, 1988
Riobec - Cecil Taylor & Günter Sommer, 1988
Leaf Palm Hand, 1988
Spots, Circles, and Fantasy, 1988
Regalia - Cecil Taylor & Paul Lovens, 1988
Remembrance, 1988
The Hearth, 1988
Riobec, 1988
Legba Crossing, 1988
Alms / Tiergarten (Spree), 1988
In
East Berlin, 1988
In Florescence, 1989
Looking (Berlin Version) solo, 1989
Looking (Berlin Version) Corona, 1989
Looking (The Feel Trio), 1989
Celebrated
Blazons, 1990
Doubly Holy House, 1990
Melancholy, 1990
Nailed, 1990
The Tree of Life, 1991
Always a Pleasure, 1993
The Light of Corona, 1996
Almeda, 1996
Qu'a: Live at the Iridium, vol. 2, 1998
Algonquin, 1998
Incarnation, 1999
The Willisau Concert, 2000
Interviews and discussions
The Shape of Jazz to Come - A panel discussion on April 6, 1964 being matter ignited... - Interviewed by Chris Funkhouser on September 3, 1994 Cecil Taylor - Interviewed by Hason Gross,
January 2000 Innovation, improvisation - Interviewed by Miya Masaoka for the SF Bay Guardian, October 25, 2000 Mr. Taylor's Filibuster - Interviewed by Kurt Gottschalk, March 11, 2004 A Fireside
Chat With Cecil Taylor - Interviewed by Fred Jung
Video
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