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faience - On-line bibliographic references

Earthenware decorated with an opaque glaze containing oxide of tin. The name derives from the Italian town of Faenza, but is usually applied to wares from France and Germany. English and Dutch Delftware and Italian maiolica employ exactly the same technique.

Portions of the summary below have been contributed by Wikipedia.

Technically, lead-glazed earthenware, such as the French sixteenth-century Saint-Porchaire ware, does not properly qualify as faience, but the distinction is not usually maintained.

Ancient "faience"

Main article Egyptian faience.

The term "faience" has been extended to include finely glazed ceramic beads found in Egypt as early as 4000 BC and at sites in the Indus Valley Civilization.

Faience in the Western Mediterranean

The Moors brought the technique of tin-glazed earthenware to Al-Andalus, where the art of metallic glazes was perfected. In Italy, locally produced tin-glazed earthenwares, initiated in the fourteenth century, reached a peak in the late fifteenth and early sixteenth centuries, represented by the Italian faience called Majolica.

French and northern European faïence

The first northerners to imitate the tin-glazed earthenwares being imported from Italy were the Dutch. Delftware is a kind of faience, made at potteries round Delft in Holland, characteristically decorated in blue on white, in imitation of the blue-and-white porcelain that was imported from China in the early sixteenth century, but it quickly developed its own recognisably Dutch décor.

Dutch potters in northern (and Protestant) Germany established German centres of faience: the first manufactories in Germany were opened at Hanau (1661) and Heusenstamm (1662), soon moved to nearby Frankfurt-am-Main.

In France, centres of faience manufacturing developed from the early eighteenth century led in 1690 by Quimper in Brittany , which today possesses an interesting museum devoted to faience, and followed by Rouen, Strasbourg and Lunéville.

The products of faience manufactories, rarely marked, are identified by the usual methods of ceramic connoisseurship: the character of the body, the character and palette of the glaze, and the style of decoration, faïence blanche being left in its undecorated fired white slip.

In the course of the later 18th century, cheap porcelain took over the market for refined faience;

Faïence revival

In the 1870s, the Aesthetic movement, notably in Britain, rediscovered the robust charm of faience, and the large porcelain manufactories marketed revived faience, such as the "Majolica ware" of Minton and of Wedgwood.

England

Faience fine (imported into France)

France

Gien faience Aprey faience Gien faience Lyon faience Lunéville faience Marseille faience Moustiers faience Nevers faience Quimper faience Saint-Porchaire faience

Germany

Abtsbessingen faience Nürnberg faience Öttingen–Schrattenhofen faience Schleswig faience Stockelsdorf faience - de:Stockelsdorfer Fayencemanufaktur Stralsund faience - de:Stralsunder Fayencenmanufaktur

Links

Board about faience (in german) Gien faience (in german, english, french)

Italy

Savona faience Turin faience

Scandinavia

Aluminia faience (Denmark) Rörstrand faience (Sweden) Strålsund faience (Sweden, closed 1792)

On-line bibliographic references

German faience beer steins Wikimedia Commons has media related to: Faience
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