Realistic scenes from everyday life, typically on a small scale, as produced by Dutch 17th-c masters such as Steen and Vermeer; the term may be applied, however, to any period. The genre flourished in 19th-c Britain, largely due to the popularity of the anecdotal scenes of Scottish village life by Wilkie.
Genre works, also called genre scenes or genre views, are pictorial representations in any of various media that represent scenes or events from everyday life, such as markets, domestic settings, interiors, parties, inn scenes, and street scenes.
Genre painting
Genre painting, also called genre scene or petit genre, depicts aspects of everyday life by portraying ordinary people engaged in common activities.
Genre themes appear in nearly all art traditions. The Flemish Renaissance painter Pieter Brueghel the Elder made peasants and their activites the subject of many of his paintings, and genre painting was to flourish in Northern Europe in Brueghel's wake. Adriaen and Isaac van Ostade, David Teniers, Aelbert Cuyp, Johannes Vermeer and Pieter De Hooch were among the many painters specializing in genre subjects in the Netherlands during the 17th century.
In Italy, a "school" of genre painting was stimulated by the arrival in Rome of the Dutch painter Pieter van Laer in 1625.
Louis le Nain was an important exponent of genre painting in 17th century France, where the 18th century would bring a heightened interest in the depiction of everyday life, whether through the romanticized paintings of Watteau and Fragonard, or the careful realism of Chardin.
The Spanish artist Francisco de Goya used genre painting as a medium for dark commentary on the human condition. Realists such as Gustave Courbet upset expectations by depicting everyday scenes in huge paintings—at the scale traditionally reserved for "important" subjects—thus blurring the boundary which had set genre painting apart as a "minor" category. Subsequently the Impressionists, as well as such 20th century artists as Pierre Bonnard, Edward Hopper, and David Park painted scenes of daily life, but in the context of modern art the term "genre painting" has come to be associated mainly with painting of an especially anecdotal or sentimental nature, painted in a traditionally realistic technique.
Genre paintings have been created wherever artists seek to record the everyday experiences of the ordinary person.
Genre photography
While genre painting began, in the 17th century, with representations by Europeans of European life, the invention and early development of photography coincided with the most expansive and aggressive era of European imperialism, in the mid-to-late 19th century, and so genre photographs, typically made in the proximity of military, scientific and commercial expeditions, often also depict the people of other cultures that Europeans encountered throughout the world.
Although the distinctions are not clear, genre works should be distinguished from ethnographic studies, which are pictorial representations resulting from direct observation and descriptive study of the culture and way of life of particular societies, and which constitute one class of products of such disciplines as anthropology and the behavioural sciences.
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